Trapp, The Attainment of Delacroix, Baltimore, 1970, p. 354 (illustrated, fig. F.A. Painted on 14 February 1955. 68-70 (illustrated in color). F. Elgar and R. Maillard, Picasso, Paris, 1955 (illustrated). Pablo Picasso (1881-1973) Pablo Picasso, Les Femmes d'Alger (Version O), Tapestry, Gobelin Tapestry, Unframed Tapestry, Wall Art, Wall Tapestry, Home Decor, Wall Decor, Art Deco, Decoration, Art These unique design of tapestry wall art is made and shipped ready for you to frame at home or office. The Picasso Project, ed., Picasso's Paintings, Watercolors, Drawings and Sculpture: The Fifties I, 1950-1955, San Francisco, 2000, p. 283, no. R. Rosenblum, "Guerra y paz: La antigedad y el último Picasso" in G. Tinterow, ed., Picasso clasico, exh. But why is Picasso’s Femmes d’Alger (Version O), the painting The Guardian calls “a vibrant cubist work” expected to bring such a high price? 1006 (illustrated in color, p. 408). cat., Palacio Episcopal, Málaga, 1992, p. 180 (illustrated in color, p. 183, pl. 180 (illustrated in color, p. 332; illustrated again in color, p. 337). 65, no. 98, no. A. Cirici, Picasso, su vida y su obra: La seva vida i la seva obra, Barcelona, 1981, p. 131. Die gesamte Serie von Les Femmes d’Alger wurde von Victor und Sally Ganz aus der Galerie Louise Leiris (eine Galerie von Daniel Henry Kahnweiler) in Paris für 212.500 $ im Juni 1956 gekauft.Zehn Gemälde aus der Serie wurden später an die Saidenberg Gallery verkauft. 263 (illustrated). London, Tate Gallery, Picasso, July-September 1960, pp. La serie está inspirada en el cuadro Mujeres de Argel en su apartamento de Eugène Delacroix (1834). La romancière Assia Djebar offre une lecture du tableau dans la postface intitulée : « Regard interdit, son coupé » de son recueil de nouvelles éponyme. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. La toile «les femmes d'Alger» de Picasso vendue à prix record. cat., Sprengel Museum Hannover, 1986, p. 30 (illustrated). J. Leymarie, Picasso: The Artist of the Century, Lausanne, 1972, pp. C. Gruneberg and A. Becker, eds., Sylvette, Sylvette, Sylvette: Picasso and the Model, exh. 24, 222 and 336, no. XXXI, no. 111). Ce tableau a inspiré plus d'une quinzaine de versions faites par Picasso, parmi lesquelles : Les Femmes d'Alger (version O) (1955). Moeller, Picasso im Sprengel Museum Hannover: Druckgraphik, illustrierte Bücher, Zeichnungen, Collagen und Gemälde, exh. New York, The Metropolitan Museum of Art, New York Collects, July-September 1968, p. 31, no. Painting: Oil on Canvas. D’abord, c’est un grand tableau : 1,14m x 1,46m. 66-67 and 69 (illustrated, p. 67). B. Léal, C. Piot and M.-L. Bernadac, The Ultimate Picasso, New York, 2000, pp. "The Power of Picasso" in Life, vol. M. McCully, ed., A Picasso Anthology: Documents, Criticism, Reminiscences, Princeton, 1997, pp. Jaffé, Pablo Picasso, New York, 1983, p. 118 (illustrated in color, p. 119). A. Panzetta, Picasso, Milan, 1992, no. J. Berger, The Success and Failure of Picasso, New York, 1993, p. 180 (illustrated, p. 183). (114 x 146.4 cm.) Colin Gleadell (28 de noviembre de 2006). [3]​ Más tarde, los Ganz vendieron diez pinturas de la serie a la galería Saidenberg, manteniendo en su poder las versiones «C», «H», «K», «M» y «O».[4]​. Les femmes d'Alger (Mujeres de Argel) es una serie de 15 pinturas y numerosos dibujos del pintor cubista español Picasso.La serie está inspirada en el cuadro Mujeres de Argel en su apartamento de Eugène Delacroix (1834). S.G. Galassi, Picasso's Variations on the Masters: Confrontations with the Past, New York, 1996, pp. J. Hobhouse, The Bride Stripped Bare: The Artist and the Female Nude in the Twentieth Century, New York, 1988, p. 131 (illustrated in color, pl. J. Richardson, “The Catch in the Late Picasso” in The New York Times Book Review, 19 July 1984, p. 21. U. Apollonio, Picasso, Munich, 1980, no. 87). Picasso's line work in Les Femmes D'Alger is quite bold, but not entirely rigid. 219-221 (illustrated in color, p. 220). 179.36 million. 413 and 534, no. Nashashibi, Forces of Change: Artists of the Arab World, exh. [9]​, La Versión K se vendió por 6,6 millones en noviembre de 1997, junto con el resto de la colección Ganz, en la sala Christie's de Nueva York. 324-326 and 334. Esta página se editó por última vez el 9 mar 2020 a las 16:37. 354-355 (illustrated, p. 355, fig. K. Gallwitz, Picasso: The Heroic Years, New York, 1985, pp. P. de Champris, Picasso, ombre et soleil, Paris, 1960, p. 294 (illustrated, p. 257, pl. 7). 39 (illustrated). cat., Kunsthalle Bremen, 2014, p. 227 (illustrated in color, fig. 56 and 271, no. J. Canaday, "Picasso" in Horizon, vol. 5-17). 73. (114 x 146.4 cm.) La Versión O fue adquirida por la marchante de arte británica Libby Howie para un coleccionista saudí residente en Londres cuyo nombre no se reveló. Victor and Sally Ganz, New York (acquired from the above, 6 June 1956); Estate sale, Christie’s, New York, 10 November 1997, lot 33. Jaffé, Pablo Picasso, New York, 1996, p. 148 (illustrated in color, p. 149). Les raisons d’une telle somme sont multiples. 123, 135-136 and 141-142, no. 197-199 (illustrated in situ in the Ganz household, p. 197; illustrated in situ again in color, p. 198). [1]​ representa una escena del harén, Este cuadro se vendió en 1997 por 31,9 millones de dólares en la sala Christie's de Nueva York. 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